Free Font Library

Types

  • Fantasy
  • Monospace
  • Sans Serif
  • Serif

Designers

  • Alexandre Liziard
  • Alfredo Marco Pradil
  • Antoine Gelgon (Luuse)
  • Bonjour Monde
  • Bryce Wilner
  • Christian Robertson
  • Claus Eggers Sørensen
  • Elena Albertoni
  • Florian Karsten
  • Georg Duffner
  • Juliette Duhe
  • Jérémy Landes
  • Lea Pradine
  • Lucas Le Bihan
  • Luuse
  • Léonard Mabille (Luuse)
  • Mike Abbink
  • Noponies / Dale Sattler
  • Open Source Publishing
  • Pablo Impallari, Rodrigo Fuenzalida
  • Paul D. Hunt, Teo Tuominen
  • Peter Wiegel
  • Philippe Cochy
  • Philipp H. Poll
  • Raphaël Bastide
  • Riccardo De Franceschi
  • Steppot
  • Steve Matteson
  • Tom Leaman, Brian Suda
  • Various
  • Vernon Adams
  • vernon adams
  • Walid Bouchouchi
  • Wei Huang
  • Étienne Ozeray (Luuse)

Tags

  • cursive
  • curveless
  • humanist
  • Metafont
  • revival
  • Rounded
  • superFamily
  • typewriter

Licenses

  • Apache License, Version 2.0
  • Bitstream Vera Fonts Copyright
  • GNU GPL
  • GPL- General Public License
  • GPL- General Public License AND OFL-Open Font License
  • Licensed under the Apache License, Version 2.0
  • Open Font License
  • SIL Open Font Library 1.1
  • SIL Open Font License
  • SIL Open Font License (OFL)
  • SIL Open Font License, Version 1.1
  • SIL Open Font License, Version 1.1.
  • SIL Open Font License 1.1.
  • This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http://scripts.sil.org/OFL

Computer Modern Specimen

  • Styles Italic Roman Bold BoldItalic
  • Designer Various
  • Type Serif
  • License SIL Open Font License
Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. cmunti
Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. cmunrm
Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. cmunbx
Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992.[1] Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation. cmunbi

Autopia Specimen

  • Styles Bold Bold Italic Italic Regular
  • Designer Antoine Gelgon (Luuse)
  • Type Serif
  • License SIL Open Font License
Auto Trace autopia-bold
Auto Trace autopia-bold-italic
Auto Trace autopia-italic
Auto Trace autopia-regular

Avara Specimen

  • Styles Italic Bold Italic Bold Bold Black
  • Designers Raphaël Bastide
    Wei Huang
    Lucas Le Bihan
    Walid Bouchouchi
    Jérémy Landes
  • Type Serif
  • License SIL Open Font License
  • Tag curveless
Curves sucks. avara-bolditalic
Curves sucks. avara-bold
Curves sucks. avara-black

Bienchen SAS Specimen

  • Styles Regular Cursive
  • Designer Peter Wiegel
  • Type Fantasy
  • License GPL- General Public License AND OFL-Open Font License
  • Tag cursive
* Butterfly bienchen-b
* Butterfly bienchen-a

Candal Specimen

  • Style Regular
  • Designer vernon adams
  • Type Serif
  • License SIL Open Font License
Se candal-regular

Career Specimen

Deadline career

Compagnon Specimen

  • Styles Regular Roman Regular Medium Regular Light Italic Regular Light Regular Bold
  • Designers Juliette Duhe
    Lea Pradine
  • Types Serif
    Monospace
    Fantasy
  • License SIL Open Font License
  • Tag typewriter
Meet, Make, Master, Modify, compagnon-roman
Meet, Make, Master, Modify, compagnon-medium
Meet, Make, Master, Modify, compagnon-lightitalic
Meet, Make, Master, Modify, compagnon-light
Meet, Make, Master, Modify, compagnon-bold

Cutive Mono Specimen

  • Style Regular
  • Designer Vernon Adams
  • Types Serif
    Monospace
  • License SIL Open Font License 1.1.
Poussière de lune cutivemono-regular

DejaVu-2.37 Specimen

  • Styles Math Regular Sans Book Sans Bold Sans Bold Oblique Sans Book Condensed Sans Bold Condensed Sans Condensed Bold Oblique Sans Condensed Oblique Sans ExtraLight Sans Mono Book Sans Mono Bold Sans Mono Bold Oblique Sans Mono Oblique Sans Oblique Serif Book Serif Bold Serif Bold Italic Serif Book Condensed Serif Condensed Bold Serif Condensed Bold Italic
  • Designer Various
  • Types Serif
    Sans Serif
    Monospace
  • License Bitstream Vera Fonts Copyright
  • Tag superFamily
Ah dejavumathtexgyre
Ah dejavusans
Ah dejavusans-bold
Ah dejavusans-boldoblique
Ah dejavusanscondensed
Ah dejavusanscondensed-bold
Ah dejavusanscondensed-boldoblique
Ah dejavusanscondensed-oblique
Ah dejavusans-extralight
Ah dejavusansmono
Ah dejavusansmono-bold
Ah dejavusansmono-boldoblique
Ah dejavusansmono-oblique
Ah dejavusans-oblique
Ah dejavuserif
Ah dejavuserif-bold
Ah dejavuserif-bolditalic
Ah dejavuserifcondensed
Ah dejavuserifcondensed-bold
Ah dejavuserifcondensed-bolditalic

DIN 1451 alt Specimen

  • Style Regular
  • Designer Peter Wiegel
  • Type Sans Serif
  • License GPL- General Public License
  • Tag revival
Die in DIN 1451 genormte Schrift ist in Deutschland die Standardschrift für alles, was mit Verkehr zu tun hat - na ja, dem ehelichen mal ausgenommen :-) - und wird ähnlich auch in Österreich und sogar in Griechenland (dort jedoch natürlich mit griechischen Buchstaben) verwendet. din1451alt

EB Garamond Specimen

  • Styles Regular Italic
  • Designer Georg Duffner
  • Type Serif
  • License SIL Open Font License
gA ebgaramond12-regular
gA ebgaramond12-italic

GapSans Specimen

Karl Marx gapsans
Karl Marx gapsansblack
Karl Marx gapsansbold

Hanken Round Specimen

  • Styles Light Book
  • Designer Alfredo Marco Pradil
  • Type Sans Serif
  • License SIL Open Font License
  • Tag Rounded
Jane Pat Tom Joe hanken-light
Jane Pat Tom Joe hanken-book

Happy Times at the IKOB Specimen

  • Styles Regular Italic Regular
  • Designer Lucas Le Bihan
  • Type Serif
  • License Open Font License
Even when new, Times New Roman had its crit­ics. In his typo­graphic mem­oir, A Tally of Types, Mori­son good-naturedly imag­ined what William Mor­ris (respon­si­ble for the open­ing illus­tra­tion in page layout) might have said about it: “As a new face it should, by the grace of God and the art of man, have been broad and open, gen­er­ous and ample; instead, by the vice of Mam­mon and the mis­ery of the machine, it is big­oted and nar­row, mean and puri­tan.” happy-times-at-the-ikobitalic-webfont
Even when new, Times New Roman had its crit­ics. In his typo­graphic mem­oir, A Tally of Types, Mori­son good-naturedly imag­ined what William Mor­ris (respon­si­ble for the open­ing illus­tra­tion in page layout) might have said about it: “As a new face it should, by the grace of God and the art of man, have been broad and open, gen­er­ous and ample; instead, by the vice of Mam­mon and the mis­ery of the machine, it is big­oted and nar­row, mean and puri­tan.” happy-times-at-the-ikob-webfont

help-me Specimen

  • Style
  • Designer
  • Type Serif
Hello world hershey-noailles-help-me

herbier Specimen

  • Style Noailles-herbier
  • Designer Luuse
  • Types Serif
    Fantasy
  • License SIL Open Font License
56789a hershey-noailles-herbier

Hershey Noailles Specimen

  • Styles Light Regular Italic Regular Regular Bold Regular Medium Bold Regular Light
  • Designer Luuse
  • Types Serif
    Sans Serif
    Monospace
    Fantasy
  • License SIL Open Font License
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-astrology05
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-cursive
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-futural
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-futuram
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-symbolic
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-timesb
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory,[1][2] originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen. hershey-noailles-timesr

HK Grotesk Specimen

  • Styles Bold Bold Italic Bold Bold Legacy Bold Italic Bold Legacy Italic Italic Italic Legacy Italic Regular Light Regular Light Italic Regular Light Legacy Regular Light Legacy Italic Regular Medium Regular Medium Italic Regular Medium Legacy Regular Medium Legacy Italic Regular Regular Regular Legacy Regular SemiBold Regular SemiBold Italic Regular SemiBold Legacy Regular SemiBold Legacy Italic
  • Designer Alfredo Marco Pradil
  • Type Serif
  • License SIL Open Font License, Version 1.1
chuggalugged hkgrotesk-bold
chuggalugged hkgrotesk-bolditalic
chuggalugged hkgrotesk-boldlegacy
chuggalugged hkgrotesk-boldlegacyitalic
chuggalugged hkgrotesk-italic
chuggalugged hkgrotesk-legacyitalic
chuggalugged hkgrotesk-light
chuggalugged hkgrotesk-lightitalic
chuggalugged hkgrotesk-lightlegacy
chuggalugged hkgrotesk-lightlegacyitalic
chuggalugged hkgrotesk-medium
chuggalugged hkgrotesk-mediumitalic
chuggalugged hkgrotesk-mediumlegacy
chuggalugged hkgrotesk-mediumlegacyitalic
chuggalugged hkgrotesk-regular
chuggalugged hkgrotesk-regularlegacy
chuggalugged hkgrotesk-semibold
chuggalugged hkgrotesk-semibolditalic
chuggalugged hkgrotesk-semiboldlegacy
chuggalugged hkgrotesk-semiboldlegacyitalic

iAwriter Specimen

  • Styles Regular Bold Italic Bold Regular Italic
  • Designer Mike Abbink
  • Types Serif
    Sans Serif
  • License SIL Open Font License
Writer iawriterduospace-bold
Writer iawriterduospace-bolditalic
Writer iawriterduospace-regular
Writer iawriterduospace-regularitalic

Kulim Park Specimen

  • Styles Bold Bold Italic Regular ExtraLight Italic ExtraLight Italic Italic Regular Light Italic Light Italic Regular Regular SemiBold Italic SemiBold Italic
  • Designer Noponies / Dale Sattler
  • Type Sans Serif
  • License This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http://scripts.sil.org/OFL
  • Tag humanist
Humanist kulimpark-bold
Humanist kulimpark-bolditalic
Humanist kulimpark-extralight
Humanist kulimpark-extralightitalic
Humanist kulimpark-italic
Humanist kulimpark-light
Humanist kulimpark-lightitalic
Humanist kulimpark-regular
Humanist kulimpark-semibold
Humanist kulimpark-semibolditalic

Liberation Sans Specimen

  • Styles Bold Italic Bold Italic Regular
  • Designer Steve Matteson
  • Type Sans Serif
  • License SIL Open Font License
Metrics Matches liberationsans-bolditalic
Metrics Matches liberationsans-bold
Metrics Matches liberationsans-italic
Metrics Matches liberationsans-regular

Libre Baskerville Specimen

The Hound of the Baskervilles librebaskerville-regular
The Hound of the Baskervilles librebaskerville-regularitalic

Linux Libertine Specimen

  • Styles Semibold Italic Semibold Regular Italic Bold Italic Bold Regular Mono Initials Display Regular Biolinum regular Italic Biolinum Bold Biolinum Regular Biolinum Keyboard
  • Designer Philipp H. Poll
  • Type Serif
  • License GNU GPL
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerziah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerzah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertineriah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerbiah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerbah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinerah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinemah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinei
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linlibertinedrah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linbiolinumriah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linbiolinumrbah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linbiolinumrah
Libertine Fonts support the western languages and provide many special characters. Our fonts cover the codepages of Western Latin, Greek, Cyrillic (with their specific enhancements), Hebrew, IPA and many more. linbiolinumkah

Lunchtype Specimen

  • Styles Condensed Regular Condensed Medium Condensed Light Italic Medium Italic Light Italic Regular Medium Light Regular Expanded Medium Expanded light Expanded
  • Designer Steppot
  • Type Sans Serif
  • License SIL Open Font License
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype25-regularcondensed
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype25-medium-condensed
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype25-lightcondensed
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype23-regular-italic
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype23-medium-italic
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype23-light-italic
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype22-regular
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype22-medium
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype22-light
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype24-regular-expanded-webfont
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype24-medium-expanded-webfont
The project aim was to embody boredom from tasteless dishes and spiritless food. A wish to recreate uninspiring lunch hours through letters forms. To be inspired by the futile to design the most uninspiring typeface of all time. lunchtype24-light-expanded-webfont

Manifont Grotesk Specimen

Mf manifontgroteskbookitalic
Mf manifontgroteskbookdot
Mf manifontgroteskbook
Mf manifontgroteskbolditalic
Mf manifontgroteskbold

Meta Old French Specimen

  • Style Regular
  • Designer Luuse
  • Type Serif
  • License SIL Open Font License
  • Tag Metafont
Forking forks meta-old-french

Meyrin Specimen

  • Style Regular
  • Designer Tom Leaman, Brian Suda
  • Types Sans Serif
    Monospace
    Fantasy
  • License SIL Open Font License
3615 Meyrin meyrin

Molle Specimen

  • Style Regular
  • Designer Elena Albertoni
  • Type Fantasy
  • License SIL Open Font License, Version 1.1.
Heavy Italian molle-regular

Roboto Specimen

  • Style Regular
  • Designer Christian Robertson
  • Type Sans Serif
  • License Apache License, Version 2.0
Hallo Freunde! roboto-regular

Not Courier Sans Specimen

This is the font used here. notcouriersans
This is the font used here. notcouriersans-bold

OCR-PBI Specimen

  • Styles pbi-canonique pbi-canonique pbi-canonique pbi-canonique pbi-canonique pbi-canonique pbi-canonique Pbi-pen_x1_y1
  • Designer Antoine Gelgon (Luuse)
  • Types Sans Serif
    Monospace
  • License SIL Open Font License (OFL)
Hello world ocr-pbi-boldv1
Hello world ocr-pbi-boldv2
Hello world ocr-pbi-boldv3
Hello world ocr-pbi-circle
Hello world ocr-pbi-condv1
Hello world ocr-pbi-squarev2
Hello world ocr-pbi-v2
Hello world ocr-pbi-penx1y1

Old Round Specimen

  • Styles Regular nonselect Regular hover Regular
  • Designer Luuse
  • Type Serif
  • License SIL Open Font License
She likes to work with unstable media, researching ways to create specific tools, usages or techniques to give us a sensitive experience of our daily environment. In her work she mainly uses textile techniques, hacked machines, DIY electronics, open source software and hardware. oldround-30-nonselect
She likes to work with unstable media, researching ways to create specific tools, usages or techniques to give us a sensitive experience of our daily environment. In her work she mainly uses textile techniques, hacked machines, DIY electronics, open source software and hardware. oldround-30-hover
She likes to work with unstable media, researching ways to create specific tools, usages or techniques to give us a sensitive experience of our daily environment. In her work she mainly uses textile techniques, hacked machines, DIY electronics, open source software and hardware. oldround-30-1-1

Open Sans Specimen

  • Styles Italic ExtraBold Italic Regular ExtraBold Bold Italic Bold Italic SemiBold Italic Regular SemiBold Italic Regular Italic Light Italic Regular Light
  • Designer Steve Matteson
  • Type Sans Serif
  • License Licensed under the Apache License, Version 2.0
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-extrabolditalic
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-extrabold
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-bolditalic
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-bold
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-semibolditalic
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-semibold
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-italic
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-regular
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-lightitalic
Excellent for any type of use. It’s incredibly readable in small sizes and also works great when printed in huge letters. opensans-light

Oswald Specimen

  • Styles Regular SemiBold Regular Regular Medium Light Regular Heavy Regular ExtraLight Bold
  • Designer Vernon Adams
  • Type Sans Serif
  • License SIL Open Font License 1.1.
Lee Harvey Oswald oswald-semibold
Lee Harvey Oswald oswald-regular
Lee Harvey Oswald oswald-medium
Lee Harvey Oswald oswald-light
Lee Harvey Oswald oswaldheavy-regular
Lee Harvey Oswald oswald-extralight
Lee Harvey Oswald oswald-bold

ParaRubber Specimen

Gomme en caoutchouc pararubber-medium

Pecita Specimen

  • Style Book
  • Designer Philippe Cochy
  • Type Fantasy
  • License SIL Open Font License
Pecita est une police de caractères imitant l’écriture manuscrite. Elle est codée en Unicode avec l’intégralité des glyphes latins usités dans les langues européennes et panafricaines, le grec, le cyrillique, les katakanas, l’alphabet phonétique, les opérateurs mathématiques et beaucoup de symboles. pecita

Playfair Display Specimen

  • Styles Black Italic SC Black SC Bold Italic SC Bold SC Italic SC Regular SC Black Italic Black Bold Italic Bold Italic Regular
  • Designer Claus Eggers Sørensen
  • Type Serif
  • License SIL Open Font License
  • Tag revival
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-blackitalic
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-black
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-bolditalic
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-bold
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-italic
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplaysc-regular
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-blackitalic
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-black
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-bolditalic
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-bold
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-italic
Playfair is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink, and paper making, made it possible to print letterforms of high contrast and delicate hairlines. playfairdisplay-regular

Selectric Specimen

Shûzô Kuki «Týpe Bäll» selectricroman
Shûzô Kuki «Týpe Bäll» selectricmono

Source code Pro Specimen

  • Styles Italic Semibold Italic Regular Semibold Regular Italic Medium Italic Regular Medium Italic Light Italic Regular Light Italic Italic ExtraLight Italic Regular ExtraLight Bold Italic Bold Italic Black Italic Regular Black
  • Designer Paul D. Hunt, Teo Tuominen
  • Types Sans Serif
    Monospace
  • License SIL Open Font License
work well in user interface sourcecodepro-semiboldit
work well in user interface sourcecodepro-semibold
work well in user interface sourcecodepro-regular
work well in user interface sourcecodepro-mediumit
work well in user interface sourcecodepro-medium
work well in user interface sourcecodepro-lightit
work well in user interface sourcecodepro-light
work well in user interface sourcecodepro-it
work well in user interface sourcecodepro-extralightit
work well in user interface sourcecodepro-extralight
work well in user interface sourcecodepro-boldit
work well in user interface sourcecodepro-bold
work well in user interface sourcecodepro-blackit
work well in user interface sourcecodepro-black

Space Grotesk Specimen

  • Styles Regular Bold Regular SemiBold Regular Light Regular Regular Medium
  • Designer Florian Karsten
  • Type Sans Serif
  • License SIL Open Font License, Version 1.1
Hello world spacegrotesk-bold
Hello world spacegrotesk-semibold
Hello world spacegrotesk-light
Hello world spacegrotesk-regular
Hello world spacegrotesk-medium

Standard Specimen

  • Styles Regular Book Italic Book Italic Bold Bold Italic
  • Designer Bryce Wilner
  • Type Sans Serif
  • License SIL Open Font License
Standard as usable standard-book
Standard as usable standard-book-italic
Standard as usable standard-bold
Standard as usable standard-bold-italic

Syne Specimen

  • Styles Regular Regular Mono Italic Regular Extra Bold
  • Designer Bonjour Monde
  • Types Serif
    Sans Serif
    Monospace
    Fantasy
  • License SIL Open Font License
An unexpected journey syne-regular
An unexpected journey syne-mono
An unexpected journey syne-italic
An unexpected journey syne-extra
An unexpected journey syne-bold

Terminal grotesque Specimen

  • Style Regular
  • Designer Raphaël Bastide
  • Type Sans Serif
  • License SIL Open Font License, Version 1.1
sudo apt-get install terminal-grotesque-webfont

Vampiro One Specimen

  • Style Regular
  • Designer Riccardo De Franceschi
  • Type Fantasy
  • License SIL Open Font License, Version 1.1
  • Tag cursive
Le vampire est un type de revenant vampiroone-regular

Work Sans Specimen

  • Styles Regular Black Italic Black Italic Bold Bold Italic Regular ExtraBold Italic ExtraBold Italic Regular ExtraLight Italic ExtraLight Italic Regular Hairline Italic italic vf Regular Light Italic Light Italic Regular Medium Italic Medium Italic Regular roman vf Regular SemiBold Italic SemiBold Italic Regular Thin
  • Designer Wei Huang
  • Type Sans Serif
  • License SIL Open Font License
  • Tag superFamily
Troll i Råskogen worksans-black
Troll i Råskogen worksans-blackitalic
Troll i Råskogen worksans-bold
Troll i Råskogen worksans-bolditalic
Troll i Råskogen worksans-extrabold
Troll i Råskogen worksans-extrabolditalic
Troll i Råskogen worksans-extralight
Troll i Råskogen worksans-extralightitalic
Troll i Råskogen worksans-hairline
Troll i Råskogen worksans-italic
Troll i Råskogen worksans-italic-vf
Troll i Råskogen worksans-light
Troll i Råskogen worksans-lightitalic
Troll i Råskogen worksans-medium
Troll i Råskogen worksans-mediumitalic
Troll i Råskogen worksans-regular
Troll i Råskogen worksans-roman-vf
Troll i Råskogen worksans-semibold
Troll i Råskogen worksans-semibolditalic
Troll i Råskogen worksans-thin

Demo version of FreeFontLibrary.

Credits

This site use Free Font Library, a tool to manage and display a font collection on the web.